A Tier III

The Threshold HouseBoys Choir.

The solo guise of Peter Christopherson after Coil · announced 2005, made in Bangkok · built on computer-generated and local Thai vocals, with Christopherson credited as director · two releases, Form Grows Rampant and the Amulet set · often shortened to THBC

filed under
Experimental · post-industrial · electronic · exotica · ritual · the late, tropical turn in Christopherson's work
Coil's surviving half working alone in a new country · a warmer, more languid sound than Coil, steeped in Thai ritual and image, sung by a digital choir that, in his phrase, would not crash
What it isThe first solo project Peter Christopherson announced after Coil, in 2005 · despite the name it was a solo undertaking, built heavily on computer-generated vocals, with Christopherson formally credited as the director rather than a singer
The nameTaken from Threshold House, Coil's own label and a place in the band's mythology · Christopherson noted, drily, that it was a mouthful and that the choir was not strictly a choir; the vocals were adapted from various legal sources as well as recordings of local singers
The settingMade after Christopherson relocated to Bangkok, where he lived and worked alone · the new country is audible in the music: warmer, more languid and tropical than Coil, and tied closely to Thai ritual and image
Form Grows RampantThe 2007 debut · five parts or songs, issued with a DVD of the record set to footage of Thai rituals filmed in Krabi · the fullest statement of the project, and the one most often heard
AmuletThe second and final release, from 2008 · a hand-assembled four-disc set housed in a circular Thai amulet case, available in tiny quantities at live shows and by mail-order, never properly distributed · rough sketch-like pieces, playful and bittersweet, later reissued in full
LivePerformed rarely · one promoter who staged a concert called it the most shocking thing he had experienced · the live work shared a period and a sensibility with the parallel Soisong project
Why Tier IIIFiled on documentary necessity within the Coil aftermath rather than as a founding or central project · it is, by Christopherson's own framing, his solo guise, and its weight is inseparable from his · filed so the post-Coil work is findable in the archive under its own name
Filed atartist file · threshold-houseboys-choir.html · cross-referenced at Peter Christopherson, Coil, Threshold House and the Lexicon

Editorial.

The Threshold HouseBoys Choir is what Peter Christopherson did first when he was alone, and the Bureau files it at Tier III as part of the Coil aftermath rather than as a project that stands free of it. Announced in 2005 as a follow-up to Coil, it was, despite the name, a solo undertaking, built heavily on computer-generated vocals, with Christopherson credited as its director. The music itself is documented as his; what the file records is the shape the work took once Coil had ended and he had moved to a new country.

The name comes from Threshold House, Coil's own label and a place in the band's private mythology. Christopherson was dry about it: the choir was not strictly a choir, the title was a mouthful, and the voices were adapted from various legal sources as much as from recordings of local singers. The substance, though, is serious. After relocating to Bangkok, where he lived and worked alone, he made music in which the new setting is plainly audible, warmer and more languid than Coil, tropical in cast, and tied closely to Thai ritual and image.

There are two releases. Form Grows Rampant (2007) is the debut and the fullest statement, five parts issued with a DVD of the record set to footage of Thai rituals filmed in Krabi. Amulet (2008) is the second and last: a hand-assembled four-disc set housed in a circular Thai amulet case, made in tiny quantities for live shows and mail-order and never properly distributed, its rough, sketch-like pieces playful and bittersweet by turns. The project ran in the same years as Soisong, the duo with Ivan Pavlov, and the two share a period and a sensibility, though THBC is the warmer and more solitary of the pair.

The Bureau's reading. The Threshold HouseBoys Choir is filed at Tier III as Christopherson's first solo guise after Coil, the tropical, choir-haunted work he made alone in Bangkok across two releases. Its weight is inseparable from his own, and it is filed so that the post-Coil work can be found under its own name; the larger account of the man is at the Peter Christopherson file.

Filed by Bureau editor · VAGO · c. the Anthropocene · last revised c. the Anthropocene

Selected discography.

The complete THBC catalogue is short · the two releases and the later reissue

YearTitleFormatNote
2007Form Grows RampantCD + DVDThe debut; five parts, with a DVD of Thai ritual footage filmed in Krabi.
2008Amulet (the Amulet Edition)4×miniCDRHand-assembled in a circular Thai amulet case; tiny edition, never properly distributed.
2024Amuletreissue · LP / CDThe full re-release of the 2008 set, with bonus compilation and sketch tracks.

Cross-references.

ARTPeter Christopherson · the man; THBC is his solo guise, and the larger account is at his file
ARTCoil · the project THBC follows; the source of the sensibility
ARTSoisong · the parallel project of the same years, with Ivan Pavlov
LBLThreshold House · Coil's label, and the source of the project's name

Coda.

Filing held open. The Bureau will close this note when the catalogue settles.