A Tier III

Hair Police.

American noise band · Lexington, Kentucky · formed 2001 · the trio of Mike Connelly, Robert Beatty and Trevor Tremaine · rock instrumentation pushed through electronics, tape and oscillators into a demonic industrial-noise wall · a key act of the 2000s American noise scene and the Wolf Eyes / Hanson axis, filed at Tier III

filed under
Noise · industrial · experimental · harsh electronics · rock instrumentation, tape manipulation and oscillators built into a demonic wall, latterly horror-soundtrack atmospherics
A trio · records on Gods of Tundra, Hanson, Troubleman Unlimited, Load and Hospital Productions · rooted in the Lexington / Midwest noise underground
ActiveFormed January 2001 in Lexington, Kentucky · after early line-up changes settled as Mike Connelly (guitar, vocals, tapes, noise), Robert Beatty (electronics) and Trevor Tremaine (drums, vocals, tapes) · continuing
MembersMike Connelly (later also Failing Lights), Robert Beatty (also Three Legged Race, and a noted visual artist) and Trevor Tremaine · the members have also played in Burning Star Core and other Midwest projects
SoundTraditional rock instrumentation, guitar, bass and drums, run through power electronics, tape manipulation and oscillators into a demonic wall of sound · recalling Throbbing Gristle, early Black Dice and Wolf Eyes
Connelly's voiceConnelly's unhinged vocal performance is the band's signature · screams and rasps from victim to villain · on the later work the rock vestiges drop away toward industrial / horror-soundtrack atmospherics
Wolf Eyes axisConnelly joined Wolf Eyes in 2005, later leaving to focus on Hair Police and solo work · the band sits squarely on the Wolf Eyes / Hanson Records axis of 2000s American noise
Key worksThe History of Ghost Dad cassette (2001) opened the catalogue · Constantly Terrified and the C. Spencer Yeh-edited Hair Police '01-'02 document the early years · Mercurial Rites the mature horror-atmosphere turn
Why filedA key band of the 2000s American noise scene and the Wolf Eyes / Hanson world · tradition-internal and documentary-necessary within that generation
Filed atArtists · Tier III · hair-police.html · cross-referenced at Wolf Eyes, Hanson Records, Aaron Dilloway and the Lexicon

Editorial.

A Lexington noise trio working since 2001: rock instrumentation pushed through electronics into a demonic wall, and a key band of the Wolf Eyes / Hanson generation of American noise.

Hair Police is the American noise band formed in Lexington, Kentucky, in January 2001, and the Bureau files it at Tier III as a key act of the 2000s American noise scene. After some early line-up changes the group settled as the trio of Mike Connelly on guitar, vocals, tapes and noise, Robert Beatty on electronics and Trevor Tremaine on drums, vocals and tapes, and that core has carried the band since.

The sound takes the traditional rock trinity of guitar, bass and drums and runs it through power electronics, tape manipulation and oscillators until it becomes a demonic wall, a result that listeners have set beside Throbbing Gristle, early Black Dice and Wolf Eyes. Connelly's unhinged vocal performance is the band's signature, screams and rasps that move between the cries of victim and villain, and on the later records the last vestiges of rock fall away toward an industrial, horror-soundtrack atmosphere built on Beatty's textured electronics.

The band sits squarely on the Wolf Eyes and Hanson Records axis that defined American noise in the decade. Connelly joined Wolf Eyes in 2005 before stepping back to focus on Hair Police and his solo Failing Lights, and the members have moved through Burning Star Core and other Midwest projects, tying the group into the network around Aaron Dilloway and that scene. The records have appeared on Gods of Tundra, Hanson, Troubleman Unlimited, Load and Hospital Productions.

The catalogue runs from the opening History of Ghost Dad cassette and the early, gloriously cacophonous years documented on the C. Spencer Yeh-edited Hair Police '01-'02 through to the restraint and horror-atmosphere of Mercurial Rites. The Bureau files Hair Police at Artists · Tier III as one of the defining bands of the Wolf Eyes generation and a clear case of rock form dismantled into noise.

Filed by Bureau editor · VAGO · c. the Anthropocene · last revised c. the Anthropocene

Selected discography.

Discography · selected releases5 entries
YearTitleFormat / noteLabel
2001History of Ghost Dadthe debut cassetteGods of Tundra
2004Constantly Terrifiedthe early-period statementHanson / Troubleman
2008Certainty of Swarmslater harsh atmosphericsNo Fun
2009Hair Police '01-'02video · the early years, edited by C. Spencer YehEAI
2016Mercurial Ritesthe horror-soundtrack turnType

Cross-references.

ARTMike Connelly (Failing Lights) · Robert Beatty (Three Legged Race) · Trevor Tremaine · the trio
ARTWolf Eyes · Aaron Dilloway · the Midwest noise axis Hair Police belongs to · Burning Star Core, C. Spencer Yeh (no files yet)
ARTThrobbing Gristle · an acknowledged forebear of the demonic-wall sound
LBLHanson Records · Gods of Tundra · Load · Troubleman Unlimited · the labels carrying the catalogue
LEXLexicon · noise · industrial · non-music · term-level cross-reference

Coda.

Filing held open. The Bureau will close this note when the catalogue settles.